K-Pop or Copy-Paste? The Black American Blueprint
I compared classic Black American R&B and hip hop records side-by-side with K-pop songs. The similarities in groove, vocals, and structure are hard to ignore.
Dwann B
Dwann Brown is a music historian, cultural analyst, and the founder and senior writer of Incense & Ashtrays, a publication focused on the history, structure, and cultural impact of Black American music. He is also the president of the BAM Family Tree Historical Foundation, a nonprofit dedicated to documenting the full lineage of American music.
Incense & Ashtrays: https://incensenashtrays.com
BAM Family Tree Historical Foundation: https://bamfamilytree.org
Robert Glasper at Blue Note LA Is the Gold Standard of Live Music
No two Robert Glasper shows are the same. Inside his Blue Note LA residency, the band reshapes jazz, funk, R&B, and hip hop in real time—proving live music still has no ceiling.
James Gadson: From Watts to Hip Hop — The Groove That Built Modern Music
James Gadson (1939–2026) was the drummer behind some of the most important grooves in music history. From Marvin Gaye to D’Angelo, his feel shaped generations of Black American music.
Beyond Gang Culture: How Policy Reshaped Black Los Angeles
Black Los Angeles has long been reduced to gang culture, but the reality is far more complex. From historic cultural hubs to modern hiring barriers, this piece examines how access, policy, and perception—not gangs—have shaped economic outcomes in LA.
Veritus Miller: Young Band, Old Soul
Veritus Miller and his band deliver a powerful performance that challenges every misconception about young musicians, proving the next generation is already ready.
Why The Miseducation of Lauryn Hill Is a Classic R&B Album — Not Hip Hop
Was The Miseducation of Lauryn Hill really a hip hop album? This article argues that Lauryn Hill’s masterpiece is better understood as a classic R&B album—one that blends gospel, soul, doo-wop, funk, and hip hop in the tradition of Black American music.
Chief Xian aTunde Adjuah Moves Jazz Forward at Blue Note
Chief Xian aTunde Adjuah, formerly known as Christian Scott, delivered a powerful Stretch Music performance at the Blue Note. Backed by Elena Pinderhughes, Andrew Renfroe, Kris Funn, and John Davis, the band moved from quiet atmospheric passages to explosive moments while carrying forward the tradition of Black American jazz innovation.
How “Dancing in the Street” Changed R&B and Built the Motown Sound
Motown’s “Dancing in the Street” didn’t just become a hit—it helped reshape rhythm and blues. With its fast groove, bebop-influenced horns, and Detroit’s polished production style, the record pushed R&B into mainstream pop and helped define the Motown sound.
Charlie Bereal Redefines Death Row at Blue Note
Charlie Bereal brought warmth, restraint, and elite musicianship to the Blue Note, redefining the Death Row narrative with live band energy rooted in groove and love. Backed by a powerhouse lineup of Los Angeles–based players, the night delivered textured drums, melted horn arrangements, and a falsetto that echoes the early ’70s while remaining unmistakably his own.
Cory Henry’s Church Experience in Inglewood: Praise, Power & Pure Musicianship
Cory Henry’s Church Experience in Inglewood isn’t just a concert — it’s a high-energy, feel-good celebration of Black church sound and musical excellence. With a 30-piece choir, powerhouse band, and Cory commanding the organ, the night delivers a wall of sound that feels like praise and worship without the all-day Sunday service. The crowd is diverse, the vibe is welcoming, and you don’t have to be religious to be moved — but if you grew up in church, this one hits different.